REVIEW: Absolutely Themeless | Sounds Proper Comedy | Ft. Rachel Morton Young, Jaleelah Galbraith and Colin Etches

Posted Leave a commentPosted in Comedy, Edinburgh Fringe Festival, Reviews

Aug 6/7, 13/14, 20/21, 27/28 | 9pm | Online Scheduled | Get Tickets

 

Looking for some weekend entertainment but don’t wanna leave the house? Look no further than Absolutely Themeless.

With the help of Sounds Proper Comedy, three comedians with absolutely nothing in common and who have never met in real life come together to provide you with a rip-roaring evening of hilarious entertainment.

It opens up with Rachel Morton Young (coming in live all the way from Holland) discussing all the problems and anecdotes we seem to share that have come about from corona. She does this in a manner that is relatable to everyone who has struggled through this pandemic, like how now one can fit in their jeans anymore.

Second, we see Jaleelah Galbraith who reminisces about the nineties. Particular highlights include Dream Phone, Encanta 95 and Living and Kicking. This is cleverly intertwined with some in your face feminism. Maybe slap bands are the reason millennials like BDSM? It’s weird, it’s wonderful, and it just works!

Wrapping up the evening we find Colin Etches who openly jokes about his neurodiversity but, in his own words, this is not a TED Talk. Listen as he bluntly queries conspiracy theories he heard down the pub on covid, politics and religion. After the mental year we’ve all had it suddenly seems feasible that the royal family are lizards.

Spend your evening laughing yourself silly with this diverse group of comics!

 

The Arts Business Top Tips:

  • Comedy can be a remarkably isolated industry to work in. Remember most time spent as a comedian is sitting in your house, often on your own, writing material which you hope is funny. Sounds Proper Comedy are helping comedians come together, learn from each other, and know they’re not alone. How can you reach out and create links with your clients and community?
  • Absolutely Themeless used green screen so comedians perform on the same stage graphic created out of the show’s branding. It is a great way both to unify the showcase and give the audience a real feeling that they’re on a night out. Widely accessible and easy to use technology can be used so effectively to amplify your show and brand.
  • It’s the first show I’ve attended on zoom which encourages audience members to keep their mics on. Hearing the crowds laughter definitely invigorated the comedians and encouraged the audience to laugh more (both at the jokes and other peoples hilarious laugh styles). If you’re a comic or your act encourages audience interaction don’t be afraid to give this a try.

REVIEW: Tales of Travel and Trade | Fiery Love | The Nomads Tent

Posted Leave a commentPosted in Art, Edinburgh Fringe Festival, Exhibition

Aug 10-15, 17-22, 24-29 | 10am-5pm, Sunday 12pm-4pm | More Info

 

Having lived in Edinburgh for 5 years from 2007 and spent every summer here since I can’t believe I never knew this place existed!

The Nomads Tent is situated a little off the beaten track tucked away on St Leonards Lane, not too far from the Pleasance Courtyard.

It’s home to tribal art from all over Asia including but not limited to carpets, jewellery and artefacts.

And this Fringe it’s hosting photographic gallery Tales of Travel and Trade and ceramic exhibition Fiery Love from Frances Lichtveld Baird.

Tales of Travel and Trade explores the people and places behind the objects imported by the gallery. It commends the handiwork, commitment and craftmanship from the different cultures and collections you’re surrounded by.

When enfolded in what is essentially an Arabian Bazaar with these images integrated in, an element of immersion is established so you can begin to get an impression of exactly what it would be like to actually be there!

Frances Lichtveld Baird is the perfect pairing for this space as her old studio, Ixora Pottery, was kitted out with rugs and artefacts from founder (and friend) of The Nomads Tent from his travels. The Asian inspiration is clearly reflected in her work. In 2000 she was forced to close her gallery and her artwork has been in storage ever since… until now.

Fiery Love refers to both the high-temperature, high-risk firing process of pottery making and the passionate attitude of the artist. Her work is diverse and beautiful, a highlight being the shimmering fish which lend themselves to ceramics, their shimmering scales glistening in the glaze.

These exhibitions are well worth a visit and the proceeds from Fiery Love will be donated to the Mercy Corps.

 

The Arts Business Top Tips:

  • When you have a store like this you can really come completely create a life-like environment so integrating photos of where they come from is seriously clever. Everyone loves a behind the scenes look at how things are done which is what The Nomads Tent has done here.
  • Throughout the gallery, there are stories and leaflets to read and learn more about the origins of these exhibits. They have also created tented seating areas to encourage you to take comfort in the shop and ultimately spend more time in there, so if you are lucky enough to have a building think about how you could encourage audiences and customers to spend more time in there, making them more likely to make a purchase
  • Work with who you know. This goes hand in hand with one of my fundamental philosophies: Be nice to everyone you meet in the industry. You never know when those contacts may become opportunities. Additionally, if you know who you’re working with there is already an element of trust, you know their abilities and how they work, so you can be more assured the collaboration will work well.

REVIEW: Ain’t No Female Romeo | Lita Doolan Productions

Posted Leave a commentPosted in Edinburgh Fringe Festival, Reviews, Theatre

6th-30th August | On Demand | YouTube | Get Tickets

 

An experimental one-woman show exploring the moving journey of a woman ghosted, reaching out on Instagram to find their lost love.

Lita Doolan really pushes what a monologue is in this production integrating every art form under the sun into this performance, mixing photos and film clips with video selfies to tell the story of a woman looking for answers.

The image work is beautiful juxtaposing street scenes with abstract moving patterns filmed from life. By retaining the sound of each piece of film the footage is edited in a jarring way to reflect the emotional rollercoaster taken by our heroine.

This modern interpretation of Romeo and Juliet employs quotes from the original text alongside Instagram hashtags to aid with the storytelling together with really poignant monologues and spoken word style performance.

Doolan demonstrates there is a fine line between love and obsession, as she seeks (or stalks) her Romeo and gets to the bottom of her parting with such sweet sorrow.

The Arts Business Top Tips:

  • Taking William Shakespeare as a starting point means you’re already creating a talking point with a pre-existing audience, he is of course arguably the most prolific playwright of all time. There will always be people interested in the Baird so there will always be people interested in modern-day retellings or reinterpretations. After all, everyone remembers 10 Things I Hate About You.
  • Incorporating art forms from film to photography or parlance to poetry can only add to your performance and overall vision. Ain’t No Female Romeo may not use the latest editing techniques or the highest quality film but this only adds to the overall themes found within the show. So, don’t be scared if you’re not a tech wizard, or there’s only one of you to run the entire company, you can still create something magical.

REVIEW: Paperwork | Ft. Marion Barron, Trevor Davies and Ruth Thomas

Posted Leave a commentPosted in Art, Edinburgh Fringe Festival, Reviews

Aug 8-18 | 11am-5pm | Whitespace 76 | More Info

The sixth event of its kind Paperwork has popped up again, this time in Whitespace 76 featuring artists Marion Barron, Trevor Davies and Ruth Thomas.

All the artists share a thematic link in the way they use materials and the overall impact and colours that or emitted from the pieces that emanate around the room as you take in the space.

My favourite collage has to be Memories Contained a sculpture built from driftwood and wire containing tiny scrolls of paper safely preserving the artist’s recollections.

There’s something calming and serene about slowly absorbing the beautiful collage work contained in the space, which is beautifully curated.

A great opportunity for some downtime during the Fringe if you are looking to ground yourself back in reality and take a little self-care time. You’re bound to leave feeling refreshed and energised.

The Arts Business Top Tips:

  • Firstly, showcasing local artists in local venues immediately creates a local buzz around any locals who are interested in the local arts scene. (I promise I won’t say local again… local.) If you target your audience by location (especially at the moment when travel is so restricted) you are more likely to get the crowds in.
  • Secondly, featuring artists who work with similar materials and in similar styles really tie your gallery together making your collection cohesive and your brand clear. You will also appeal to a more niche audience who are interested in this particular style of art creation, in this case: Paperwork.
  • And finally, having the artists on-site to discuss their work with visitors really helps anyone who enters to feel relaxed and get a clearer idea of the meaning of the works inside. They are of course the experts of their own work and their biggest cheerleaders.

REVIEW: Corona Cutie: A Digital Quest for Love | Spotlight MT

Posted Leave a commentPosted in Edinburgh Fringe Festival, Music, Theatre

6th-30th August | On Demand | Fringe Player | Get Tickets

 

This new musical explores the ordeals of finding love and keeping sane in a locked-down world. It’s created using simply filming and editing techniques tied in with comic book style graphics to ask why pandemics don’t feature in romcoms?

I am a firm believer that if you write a show around current affairs along with what’s trending around you and stick it in a musical you are bound to attract a fringe audience, which is exactly what Spotlight MT has done.

Mom, that one annoying person who’s doing really well in lockdown training for 10ks, constantly meeting mates online and annoyingly optimistic tells their introverted daughter who is living alone and wonders what they can find to do once they’ve tidied their room, to get dating!

There are some catchy songs including ‘Whatever I Say,’ a dark, jazzy look at creating your dating profile and ‘Alive,’ about how it’s okay not to be okay, as long as you stand tall and keep going.

Spotlight MT has developed the perfect platform to showcase this group of new graduates with fantastic voices singing to the great score developed by Lucy Gellar. In a world with limited creative opportunities, they have made their own and show young creatives everywhere that you don’t need to be a film wizard, a sound pro or a costume designer to get your concept across, so long as you have a passionate team to work with.

Graduates should take note that this work was created with the support of the Marian and Charles Holmes Performing Arts Fund, a small funding body from Claremont College where these grads and students have done their training. These funding solutions exist so don’t be afraid to ask your college or university if they have any options you could apply for to help you show off your ideas!

A great work in progress from this inspiring group of individuals. I have no doubt you all have careers ahead of you if this is your beginning!

The Edinburgh Festival Fringe IS BACK

Posted Leave a commentPosted in Edinburgh Fringe Festival, Festival

Just like Arnold Schwarzenegger, the Edinburgh Festival Fringe promised in 2020 that they’d be back…

And they are! HUZZAH!

Although things are gonna be a little different this year, with live online, on-demand and in-person shows taking place all over the city and beyond!

So, in honour of this, at The Arts Business, we are planning on giving you August with a twist!

Don’t worry, we’ll still be providing you with great content and articles, with case studies and positive reviews of different companies, artists and comedians who have battled through the storm of covid and made it to Scotland for the month of August… they’ll just be loads more of it!

We’ll be looking at:

  • How performers have adapted their shows, rehearsals, exhibitions and events to meet corona safety standards.
  • Any great marketing campaigns whether online or in print which should inspire your companies going forward.
  • Any great business ideas from creatives including any gaps in the industry that have been filled over the last few years and any new innovations and experimentation in events!
  • The future of the industry… is it going to change forever? Could this be the start of something new?
  • Promoting as many artists as possible throughout the month of August! Their bravery needs to be commended for participating in one of the biggest festivals in the world at a time of such great uncertainty.
  • And MUCH MUCH MORE!

So, stay tuned for what is always the best month of the year… I CAN’T WAIT!!!

Could this be you or your company!? Please get in touch! We would love to hear from you/talk to you/promote you/come and see your show! Just drop us a comment below, get in touch with us on Facebook, Instagram, Twitter or TikTok and let us know what makes you special or drop us an email at info@theartsbusiness.com.

Bad Day Good Story: The Pokémon Remnants

Posted Leave a commentPosted in Bad Day Good Story, Entertainment

“I wanna be the very best, Like no one ever was” – Pokémon Theme Song

 

I was crazy hungover.

Lying in bed that morning, cursing the production meeting that had been scheduled for 10 am, I had decided that more sleep would be more beneficial than a shower.Five minutes before the bus was due I threw on whatever was nearest to me and ran to the stop.

As I jumped on and looked for a seat I noticed a few people staring disgustedly at me.  Oh, God!  What am I wearing?  Why did I get dressed in the dark!  I looked down: Jeans, converse and a plain t-shirt.  Nothing weird there.  I didn’t have a coat which I guess may have seemed a little odd in Edinburgh’s Winter season but I had acclimatised.  It certainly didn’t warrant all the interest.  Undeterred I settled in for the thirty-minute journey to campus.  The perfect amount of time for a power nap.

* * *

The night before has been an absolute blinder!  A course mates birthday meant an excuse for a Team DTA (Drama and Theatre Arts) wide party on Sunday night, student night.

The Theme?  (Because there was always a theme, we were drama students after all) Children’s TV Characters.

I take costume parties as a challenge.  I must have the best, most unique and original costume.  To date, I have been a burger, Audrey Two (the Venus flytrap in Little Shop of Horrors) and an extremely convincing Eminem.  But for this, I was something even better: the greatest children’s franchise of my youth, maybe even my adulthood. From the Legendary Pokémon: the amazing Pikachu!

This took some serious preparation.  My GBF of the time and I trawled the charity shops on the lookout for anything yellow.  After finding some shorts, a strappy top and some pretty jazzy fluorescent Adidas trainers (What a find!  They were proper new rave!  Dunno what happened to them.  If I did I would wear them everyday!) we set forth to the fabric shop for some yellow and brown fabric to make the tail and ears and yellow and red Snazzeroo facepaint.  After badly moulding a coat hanger into the shape of a lightning bolt tail and some serious glue gunning my costume was complete.

I had the best costume and the best night drinking a few bottles of rosé at the pre-house party and then hitting the club!  It is amazing how many men I could have gone home with wearing a Pikachu outfit!  Single ladies take note!  Although I cannot vouch for the calibre of gentlemen you may attract.  Try this pulling technique at your own peril.

I arrived home thoroughly late, thoroughly drunk and thoroughly exhausted.

* * *

I opened the rehearsal room door, script in hand.  My team were sitting waiting for me.  “Well,” I began, “Let’s crack on shall we.”

And so the meeting went on. I led and took extensive notes ensuring not a stone was unturned and by the end, we were in great shape to pull together the show’s technical elements.

“Right, does anyone have any other business to discuss?”

I looked up smiling and saw the team were staring at me.  It was that same look of the bus passengers, only I had misinterpreted it.  This wasn’t a look of disgust: it was worry.

“Are you guys OK?

They shuffled in their seats looking at each other, to the ground and back to me, as if trying to silently nominate a lead speaker.

“Erm, Ruth,” the director finally piped up.  “What did you do last night?”

Slightly unorthodox in a meeting but I played ball.  “I was at a friend’s birthday party.  Why?”

“I think you need to go to hospital.”

Did I really look that bad?  And I thought my light and breezy, yet professional tone had hidden my hangover so well!  I smiled and replied jauntily, “Come on!  I’m not that bad, am I?”

“Ruth, really.”  He lowered his voice, pointlessly if you ask me as everyone was completely silent, and continued, “I think you might have jaundice.”

“What?!”

“Your skin is yellow!

Shit!

Shit, shit, shit!

I looked at my arms.

SHIT!

How had I not noticed?

It was all over my chest too.

God only knows what my face looked like!

And so, professionality flying out the window and dignity not too far behind, I confessed everything. Thankfully the room filled with raucous laughter. Presumably, everyone was just delighted they didn’t need to accompany me to A&E.

It was a rather embarrassing day for me but an excellent advertisement

Illustration by Kirstie Notman – Illustrator & Artist

Welcome Back to the 20s: The Swing Era

Posted Leave a commentPosted in Dance, Education, Start Ups

Similarly to the 1920s which began with the Spanish Flu Pandemic the 2020s have hardly been a stroll in the park so far.

But like the rich and brilliant iconic era that sprung from a post-war period of lockdown and depression, like a phoenix from the ashes the arts will rise again and kick start this decade!

Copyright Wayne Fox Photography All Rights Reserved

And with the centenary of roaring twenties well and truly upon us Birmingham based dance company, The Swing Era, is coming back fighting with a relaunch of their incredibly successful dance school and their diverse event offerings.

In 2014 Martyn Nelson, founder of The Swing Era, embarked on a mission to teach the people of Birmingham how to Lindy Hop and they have recently proudly celebrated their seventh anniversary!

From the humble beginnings of offering the metropolitan town of Moseley Lindy Lessons dance classes quickly expanded to include Lindy Levels, Solo Jazz and the occasional specialist lesson in Shag, Shim-Sham or Jitterbug. This only grew dancer’s knowledge and appreciation of dances from the 1920s all the way through to the 1950s.

Copyright Wayne Fox Photography All Rights Reserved

As the community grew so did the call for social events including freestyle dance evenings, Big Band Nights, holiday celebrations, drop-in classes and trips to the bothy for some after-class fun.

He has created a beautiful and loving community in Birmingham and the Midlands. When you step into a Lindy lesson you immediately enter a group of people with a common interest. With the additional connections the groups have on various social media platforms you’ll instantly feel part of the family.

But they have an events department too! Filled with everything you could possibly need to make any upcoming events the perfect homage to the twenties, thirties, forties and fifties.

Again, this began somewhat incongruously with requests to the company for dancers to appear at themed events to set the scene for visitors.

Copyright Wayne Fox Photography All Rights Reserved

Noticing a niche in the market for different packages for vintage events, with the rise in popularity of television programmes like Peaky Blinders putting the West Midlands on the map and realising the centenary of the 1920s was not that far away, The Swing Era Events Department was launched.

Pre-pandemic their events went from strength to strength diversifying into the Wedding and Hen Parties, Birthday Celebrations and Corporate Events providing everything from First Dance Choreography, Swing Bands, DJs, MCs, Live Performances, Taster Classes, Flash Mobs and Decoration at events and festivals all over the Midlands. They had even branched out into school workshops and corporate team building programmes run over six weeks concluded by a performance.

Copyright Wayne Fox Photography All Rights Reserved

By expanding into events they have increased brand awareness of the company locally and nationally and raised funds to boost their dance community.

Of course, during the last year and a half The Swing Era has had to close many of its services to uphold the government coronavirus laws and guidelines, but they have been able to run online workshops in Jazz and Lindy Hop.

With a team of amazing instructors desperate to get back in the classroom and a huge community of passionate dancers, this company will be one to watch over the next few months, relaunching their events department when restrictions lift and hoping to bring back their dance school in September! So keep an eye on The Swing Era Website, Social Media or sign up to their mailing list for updates. You’ll find them on Facebook, Twitter, Instagram and YouTube.

I don’t doubt that The Swing Era will be the guiding light of the decade heralding us into the new modern, new but hopefully still roaring twenties.

Is their a way your business could diversify in events? Think about how this could improve your brand visibility and internet following.

Do you already run events with your arts company?! We would love to hear from you so hit us up in the comments below!

APP OF THE MONTH: LinkTree

Posted Leave a commentPosted in App of the Month, Digital Marketing, Websites
Name LinkTree
Product Description All your important links available in one place to connect your audience to all your key content!
Availability Available online through the LinkTree Website
Key Features If you have ever been annoyed that you can only put one link in your Instagram profile, then Linktree is definitely the answer:

·       Set up your companies very own specialised URL to connect people to your LinkTree.

·       Get an Unlimited Number of Links so you can send your audience wherever you like! Are you a Gallery? Add links to your exhibitions and every artist you’re showcasing. Launching a Fringe Theatre Show? Link to all your social platforms, the box office, a trailer. The possibilities are endless!

·       Customise your LinkTree with a series of built-in themes so you can get as close as possible to matching your company branding.

·       Collect emails, phone numbers and payments safely via your LinkTree

·       Track how many lifetime views and clicks your LinkTree has had so you can tell how effective it is!

·       Embed Video into your LinkTree.

Prices and Plans It is completely free to set up an account and to be honest you’ll probably only need the free version! But for just $6 per month, you get more design features, scheduling options and advanced analytics to help your business grow. They also have enterprise packages available on request for mega businesses that need multiple lists of links.
Biggest Pro As I may have already mentioned… It is perfect for your Instagram profile where you can only put one link in your description! Finally! Celebrations all around!
Biggest Con I wanna say nothing! I love it! I mean, it would be great if it was all free I guess, but you can’t have it all and they have to make their money somehow!

It is an ingenious way to fill a gap in the market. Something like this has been needed for ages and the fact that it is all done with such elegant simplicity just makes this app an all-around winner!So go and get it already!

COME ON!

What are you waiting for!?

Bad Day Good Story: The Bristol Shubunkin

Posted Leave a commentPosted in Bad Day Good Story, Entertainment

“Life is infinitely stranger than anything which the mind of man can invent” – Arthur Conan Doyle

My sister’s first love was a Bristol Shubunkin called Squiggle, named for the black wiggly line on his nose (which he grew up he grew out of but renaming him Squiggless, my very witty 7-year-old suggestion, was deemed out of the question!)  It was the first pet that was just hers, no one elses.

A Bristol Shubunkin is basically a fancy goldfish.  Very low maintenance and therefore perfect for a kid at primary school.  It was fed morning and night with that horrible, dried, multi-coloured fish food. Side Note: I was very rarely allowed to feed Squiggle as I was guilty of overfeeding. It was therefore assumed by everyone that I would be me that would be responsible for his death.

We had been on holiday for a week.  I don’t remember where, most likely Cornwall, but I do recall there was a massive heatwave!  The kind where shorts and a vest are too many layers and cars become uncomfortably sticky saunas.  The kind of hot cars dogs die in.  We had been in such a car for hours.  In short, we were boiling, angry and miserable, and in my parents’ case, forgetful.

When we finally made it back home we all peeled ourselves off our seats keen to get out of the car as quickly as possible.  My sister of course was very eager to be reunited with her beloved Squiggle.  She ran into the kitchen where she let out an almighty high-pitched scream before sprinting upstairs, floods of tears streaming down her face, where she promptly entered her bedroom and slammed the door.

Well, my curiosity got the better of me and I bolted straight for Squiggles’ tank.  Immediately I observed the same awful sight that had terrified my sister.  A pitch-black, uber fish with pug eyes bulging out the top of its head was floating upside-down just below the surface of the water.  Not only was Squiggle clearly dead… he had gone to the dark side!

I stared, fascinated!  So many questions!  I wanted to Sherlock Holmes the hell out of this mysterious case:

  • How did he die?
  • How long ago?
  • How quickly did it take for him to change colour?
  • Why did he go off?
  • Why are his eyes popping out his head?
  • Was this a murder?

Super Sleuth Ruth would get to the truth.

Step One: Question the parents.

“MUUUUUUUUUUUUUUUUUUUUUUUMMMMMMMMMMMMMMMM?!”

“RUTH! SHUT UP!  Just go and see if your sister is ok!”

Step Two:  Question the parents… later.

After what felt like hours of comforting my hysterical sibling who kept asking me why I wasn’t sad (Er, a previously gold fish had turned Black in death, this wasn’t upsetting, it was bloody brilliant).  Mum and Dad entered, faces sufficiently forlorn and explained everything.

* * *

Squiggle had been left in the allegedly capable hands of our long-time family friend Jane.  Unfortunately, the first evening Jane had come to feed Squiggle he was found dead floating on the surface of the water like his sinister doppelgänger!  Jane spent the next week desperately seeking a replacement but alas Bristol Shubunkins were hard to come by.

Now, this is where, even to this day, I struggle to connect the dots.  Unable to find a Bristol Shubunkin (a fish that so closely resembles a goldfish that you may as well spend a lot less money and just buy a goldfish) she apparently found the next best thing:  A Black Moor Goldfish.  The best way to describe this fish is as a cross between a piranha and Sloth from the Goonies.  Unfortunately, this fish didn’t even last out the week, hence this bizarre reality we were confronted with upon our return.

Mystery solved, with very little effort…

And it’s safe to say we never got another fish.

Illustration by Kirstie Notman – Illustrator & Artist